Yokai Attack!
Title: Yokai Attack! The Japanese Monster Survival Guide
Authors: Hiroko Yoda and Matt Alt
Illustrations: Morino Tatsuya (森野達弥)
Publication Year: 2008 (America)
Publisher: Kodansha International
Pages: 191
I was absolutely certain that I was not going to like Yokai Attack. I had fully expected it to be a boring and poorly organized mishmash of folklore, citations, and half-baked interpretation along the lines of Borges’s The Book of Imaginary Beings. But the illustrations for this book were commissioned from Morino Tatsuya, a famous apprentice of Mizuki Shigeru (a manga-ka known especially for his manga Hakaba no Kitarō, which was adapted into multiple versions of the anime franchise Ge Ge Ge no Kitarō), so I decided to give it a shot, despite the silly cover.
To my immense surprise, I fell in love with Yokai Attack right from the book’s dedication to Lafcadio Hearn and his wife, which I found apt and also quite touching. It is clear from the first few paragraphs of the preface that the authors have done their research and are extremely knowledgeable on the subject matter. In fact, the “Yokai Resources” section at the end of the book, with its extensive bibliography, is almost worth the price of the entire book itself for people interested in yōkai. Alt and Yoda draw on wide range of materials, from Nō plays to Edo-period collections of woodblock prints to Yoda’s memories of the ghost stories she heard as a child, to bring together about thirty-five detailed, four-page profiles of Japanese ghosts and goblins.
The joy of this book is not its wealth of information, however, but rather the lucid and witty style in which the information is presented. Alt and Toda obviously enjoy what they do, and they make sure their readers are just as amused as they are. I don’t mean to say that Yokai Attack is condescending or facetious; rather, the writing is exuberant and filled with small, good-natured jokes that make it a pleasure to read. The format and organization of the book are reader-friendly as well, and the captions, panels, and side notes are enjoyable and not distracting.
Yokai Attack seems to be targeted towards an audience of all ages, with perhaps a movie rating of “PG.” Although instances of people (or other strange and inappropriate things) getting eaten are directly referenced with much glee, all mention of grotesque violence and sexual activity has been struck from the text. This is something of a shame, as I’m sure the writers ran across enough upsetting and salacious material to fill another couple of books, but I suppose it’s for the best, as it will allow this gem of a book to reach a wider audience.
The one qualm I have with Yokai has nothing to do with the authors but rather with the publisher. Kodansha International, true to its Japanese origins, is known for going out of its way to publish beautiful books. It seems that it has shortchanged Alt, Yoda, and especially Morino by being only half full-color. Although the first two pages of each yōkai entry are full-color, the second two are not, and the publisher seemed to give up around page 145, when the full-color pages end. Since this book is beautifully formatted and filled with interesting images, I can’t even begin to imagine why Kodansha would cut corners like this. I am so disappointed in them! Such a fine book deserves better.
Another thing that bothers me is that I have not seen this book in bookstores anywhere – not even Kinokuniya in New York. Kodansha should get on the PR train and market Yokai Attack as a manga, so that it will be shelved with manga and reach its target audience. I kind of want to go to Kodansha and throw something at them for being so willfully ignorant.
But three cheers for Hiroko Yoda and Matt Alt! Yokai Attack is a wonderful book, and I highly recommend it to anyone interested in Japan in any capacity whatsoever.
Wallpaper City Guide: Kyoto
Title: Wallpaper City Guide: Kyoto
Publication Year: 2008
Publisher: Phaidon
Pages: 103
I love Kyoto. I really, really do. I don’t understand why anyone would choose to live or vacation in Tokyo. The only places worth going in Tokyo are the Maruzen above Roppongi Station and the Tsutaya/Starbucks right outside of the Hachikō exit of Shibuya Station. Other than buying beautiful books, eating strange matcha-flavored pastries, and people watching, the best thing to do if you’re ever in Tokyo is to get on a train and go to Kamakura. Seriously. To all the Americans who think they want to fly to Tokyo: Save yourself some money and fly to New York City. The fact that going to New York will save you money should give you a hint about what sort of place Tokyo is.
In any case, Kyoto is an amazing city. Many people seem to think of Kyoto as a center of traditional Japanese culture. Of course it is, but it’s not as nice as Kamakura, if that’s what you’re looking for. I would argue that the best part of Kyoto is its secret identity as an enormous college town. There are dozens of universities (many of them on par with the great universities of Tokyo) in Kyoto, and they have attracted the requisite population of intellectuals, students, hipsters, yuppies, and so on. Also, unlike Tokyo, Kyoto is a pleasant and affordable place to live, so a lot of surprisingly big-name Japanese companies have their headquarters there. As an added bonus, because of the city’s convenient location, the best beef, fish, vegetables, tea, and sake in Japan are to be found in Kyoto.
That’s why I am so happy that Phaidon published one of its Wallpaper City Guides on Kyoto. This is not a travel guide for old fogies looking for temples and gardens; this is a guide for rich young trendy hipsters and jetsetters in search of fancy bars and architourism. There are about ten pages of this guide devoted to temples and shrines, and the remaining pages are filled with the best postmodern architecture Kyoto has to offer. Cool music venues, ultra-modern hotels, fusion restaurants, and alternatives to IKEA also abound. In short, this is not the guide for students on a budget but rather for those who can afford to bring a full selection of fabulous shoes with them when they travel.
I suppose, for the rest of us, this guide is all about the amazing photography. Not only are the gorgeous lighting and subtly off-center angles worth noting, but the absence of people in any of the photos should be mind-blowing to anyone who’s visited Japan before. Everything in the guide is, without exception, full color, a fact that makes the $10 price tag seem less ridiculous for such a small guide. Also, it’s nice to flip through the guide and learn that there are a plethora of locations in Kyoto that have nothing to do with traditional culture and everything to do with a contemporary sophistication on par with that of the other great cities of the world.
